Kathy McNeil
Kathy McNeil
Every year, my mother’s family hosts an Easter Egg hunt. This year we had well over 430 eggs hidden in my grandparent’s backyard.

My sister and brother in law were able to join us bringing my two niece’s Adie and Paya. Adie is 3 and Paya turned 1 the day before Easter. Adie really got into the egg hunt this year.
Paya hunting eggs with her mom (my sister).
Because my nieces were in town, we had a special egg hunt before the rest of us got our chance. We had some eggs hidden on the back patio for the kids. Adie found these after lots of pointing. Lucky her grandma (my mom) was there to help her get the eggs just outside of her reach.
The fun begins when we all line up on the bottom of the driveway to run into the backyard and get eggs! Even Adie and my mom were ready to run up the driveway!
My nana and papa have a variety of fruit trees in their back yard. The wonderful thing about living in Southern California is the variety of trees that grow and thrive in our climate. Not only is there fresh citrus in their backyard, but the peach tree is in full bloom and the apples are growing! I sense lots of homemade applesauce in Adie’s near future!
Even the Avocado tree is full of fruit!
It was a real treat to have Adie and Paya down for Easter!
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A Personal Note
My mother passed away this morning. She would have been 93 on December 2. She has been quite ill since February. Many of you were customers of The Fabric Patch. Mother and I opened the store in 1981. Mother became very interested in creating dolls. She held classes, one Christmas making Cabbage Patch Dolls, she designed a doll that looked just like Blanche Young a quilter, and taught toothbrush rugs. If you ever visited “The Patch” and admired the dolls, ribbon embroidery and often Christmas decorations, you too have a memory of my mother. I will miss her.
Carolyn Reese
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Cathy Van Bruggen
Matt: Do you have a quilting studio?
Cathy: My formal living room became my quilting studio. I agonized over selling all of my furniture. Of course, I was concerned about visitors seeing my “creative mess” when they entered the front door. My daughter, Kim, convinced me that I shouldn’t worry about the mess because my friends are quilters and they would love my special space. Now, my studio has a view of the garden with wall to wall storage. The middle of the room has a cutting table and large sewing machine cabinet. The best part is that I work in the middle of family activities
M: What do you consider your quilting “specialty” or what makes you unique in the quilting world?
C: My quilting “specialty” is appliqué. My designs are unique because they feature “botanically correct” flowers and small creatures. I attempt to tell a story with my designs and quilting. When I quilt my finished design, I continue the story by quilting in birds, butterflies, and small creatures. Next time you are close up to one of the quilts, take a second look and see if you can find quilted surprises.
M: What is your favorite color schemes to work with?
C: When I began quilting, I loved soft cottage color themes. Now, I try to design pictorial appliqué with vibrant colors. Mother Nature is very colorful and I like my designs to be colorful too.
M: What books or articles have you written?
C: The Appliqué Society Newsletter recently featured a series of my quilt designs. I am presently writing a book that explains a fantastic new approach to hand appliqué. The book will feature blocks that have creatures in a natural setting.
M: What do you do while you quilt? Do you listen to music?
C: I frequently have the television on for background noise. I really don’t know why, because there is usually plenty of noise and confusion with two dogs, three cats, a daughter, and her teenage daughter running through my quilting studio!
M: What is your quilting inspiration?
C: There is inspiration everywhere! I love to walk in my garden and see the beauty in how a flower grows. Watching a momma bird build a nest and hatch babies always brings new ideas for quilt blocks.
M: What is the funniest moment you have had happen while you were teaching?
C: Once a young police officer came into my class and looked around at us sewing. He finally confessed that he was n’t looking for a criminal. He had lost a button and wondered if anyone could help him sew it back onto his shirt. Quilters are always so helpful. Hopefully, the word won’t get out to those officers in need of assistance.
M: What was the best class you have ever taken?
C: I’ve taken so many wonderful classes. I can’t decide which one was best. Each teacher has influenced how I make quilts and teach my classes. I never have a closed mind to learning new things. In every class I gain something new.
Darlene Zimmerman
Matt: Do you have a quilting studio?
Darlene: Yes
M: How big and is there anything unique that you keep in your studio?
D: Too small!!! We added an addition to our house 18 years ago—before I had a computer, printer, fax machine, etc. and before I started designing fabrics. Now it’s stuffed with fabric and my office area takes up way too much space!
I also collect vintage toy sewing machines and pincushions of all types. I love to make my own pincushions using 30s vintage planters. (See photos)
M: What do you consider your quilting “specialty” or what makes you unique in the quilting world?
D: I’m best known for my 30s fabrics and also my quilting tools with EZ Quilting by Wrights.
M: What is your favorite color schemes to work with?
D: Pastels of course (my 30s fabrics and other pretty fabric). But I also enjoy sewing with reproduction fabrics from the 1800s—the Civil War quilts and later.
M: What books or articles have you written?
D: I frequently contribute to Am. Patchwork & Quilting magazine, McCall’s Quilting, Fons & Porter’s Love of Quilting and others. I’ve written quite a few books. Those still in print are:
Fat Quarter Small Quilts
Granny Quilts
Granny Quilt Decor
The Quilter’s Edge
Quilting: The Complete Guide
Quilts from Lavender Hill Farm
I’ve also started self-publishing patterns. You can see them on my website: www.feedsacklady.com
M: What do you do while you quilt? Do you listen to music?
D: I usually have music playing while I’m sewing on the machine. I do quite a bit of hand applique and quilting, which I generally do in the evening while watching tv or listening to audio books.
M: What is your quilting inspiration?
D: Primarily old quilts…. I have a collection of the state quilt search books that I love to page through. In the past quilters weren’t so bound by color or quilting “rules” and were very inventive. I look for interesting color combinations, interesting settings or border treatments. Since I work primarily with reproduction fabrics I also try and determine what is typical in design and color for a time period.
M: What is the funniest moment you have had happen while you were teaching?
D: The most exciting moment was when a woman dropped her small scissors which caused a deep puncture wound. There was blood everywhere! She had to go to the emergency room to get it stitched up and have tetanus shots.
funniest moment (for me) was when a woman in class was having problems with her machine “eating” her fabric. I suggested The she change her needle. She replied “You can replace the needle??”
M: What was the best class you have ever taken?
Unfortunately I’m usually teaching classes, not taking them. However, I took a wonderful design class with Jeanna Kimball years ago, and still remember what she taught us that day.
We have been busy little workers here at the Road office this month. Terry and myself have been working on putting together teacher and vendor contracts for the 2011 show. Carolyn has been busy coordinating a travel schedule for Road’s Quilting Makes a Difference Exhibit as featured in the 2010 Showcase.
I feel that our jury is very well balanced. Traditional Quilts really appeal to me. Our second jurist is involved in the jury and judging process in several national shows and is experienced in jurying both Traditional, Innovative and Art. This year our third jurist really enjoys the art aspect of quilting.
The computer divides the entries into categories. We the jurors can see the artist statement, methods of construction, design basis and both photos of each entry, but not the makers name or address. On the first pass through the category we can mark accepted, not accepted or undecided. We do not know how the other jurists are voting until after we have completed the category.
Our program accepts entries that all three jurors accept, declines entries that all three jurors decline. Then we begin analyzing the entries that we differ on until we have accepted our maximum number.
Our judging takes place just two days before the show begins. We can only accept the number of quilts that can be judged within the two days. That is how we determine how many quilts to accept. Sometimes to reach that number we have to eliminate some really good quilts. And that certainly was the case this year!!