Melissa Sobotka was awarded $1,000 by Sponsor, Carriage Country Quilts, for Santorini Sunset, in the category, Best Use of Color, at Road to California 2018.


Melissa Sobotka was awarded $1,000 by Sponsor, Carriage Country Quilts, for Santorini Sunset, in the category, Best Use of Color, at Road to California 2018.
Andrea Stracke won $2,500 for Best Hand Quilting from Sponsor, World of Quilts Travel, for Aragonit
Marie White Masterpiece Award winner, Pat Holly, received $7,500 for Turkish Treasures from Sponsor Road to California, Inc.
The Marie White Masterpiece Award is the second highest cash award given out during Road to California’s annual quilt contest. Named for the mother of Road to California founder, Carolyn Reese, Marie White was very active in the quilting and doll making world until she passed away seven years ago, six weeks shy of her 93rd birthday. Marie and Carolyn established The Fabric Patch fabric store in 1981. Their store was featured in the third issue of American Patchwork & Quilting Magazine, naming it one of the top thirty stores in the United States. Marie’s specialty was doll making. She also loved working with ribbon embroidery and crazy quilting.
The 2018 winner of this prestigious award was Pat Holly for her quilt, Turkish Treasures.
Congratulations to Claudia Pfeil who won $10,000 from Sponsor Gammill Quilting Systems for her quilt, Fractal Claudia Pfeil is a quilting pioneer in Germany.
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in·no·va·tive (ˈinəˌvādiv/) adjective Featuring new methods; advanced and original.
Sponsored by BERNINA of America, Janet says, “I had to design this quilt after the title came to me first, while lying in bed one night. The color fabrics were all hand dyed by my very talented friend, Gilbert Muniz. It was originally going to be just a wall quilt, but it demanded to be bit larger. This is the 16th quilt in my alphabet quilt series.”
PROUD PEACOCK by Mrs. Antonia Hering
Antonia is a resident of The Netherlands. She came up with her original design because she always wanted to make a quilt with a peacock. Antonia said, “The challenge was to use very tiny stitches. It had to be a special one, different from all I had seen. Another challenge was the hand-piecing of the tiny triangles in the spirals.The rest of the quilt is inspired by old catalogs from the 1800’s showing all kinds of long forgotten crafts.” Leo9 Textiles sponsored this winning quilt.
Bailando en la Noche (Dancing in the Night) by Shelley Stokes
Kerry’s Kollectibles sponsored this winning quilt. Shelley describes her innovative design that “the colorful medallions evoke the swirling skirts of Mexican folk dancers under an exuberant night sky. Just as music and dance add delight to our lives, hand stitching breathes life into the painted images. The shapes in the medallions were painted on whole cloth black fabric with Shiva Artist’s Paintstiks. All surface stitching was done by hand with pearl cotton threads. It appears to be appliqué, but it’s not.”
Five Turns of the Wheel by Sandra F. Peterson
This quilt was designed using Sandra’s original “fractured wheels” because she was thinking about a design that fills in between circles. For Sandra, “the idea of playing with colors that move through the circles with an imaginary turn of each wheel was intriguing. Clockwise, follow yellow starting with the lower left corner circle and watch it move through the circles and burst out and consume the center circle.” Thank you Primitive Gatherings for sponsoring Sandra’s winning entry.
What innovative designs are you working on?
Blue Anemone. One week to create the pattern, then one month to hand paint the whole cloth design and finally 4 1/2 months to quilt and finish. The quilting was done on her Innova Stationary Longarm and Janome Horizon 8200 Sewing machine.
The biggest challenge of this quilt for Andrea was creating the subtle nuances of the color changes with the lights and shadows within the flower.
What inspired Andrea’s winning design? “I always loved the deep colors of blue anemone poppies and I knew that one day I would create one in fabric. I was visiting my mom in Oregon and one day we went to one of her favorite nurseries. They had some of the most beautiful red, orange and blue anemones growing. This quilt is based on one of those photographs.”
Andrea has been sewing since she was a child and had created a number of other needle crafts projects over the years. Her quilting journey began when she moved to Texas and joined a stitching group as a way to meet people with similar interests. One of the women in the group was a quilter and she convinced everyone to make a round robin style picnic quilt. After that project, Andrea wanted to make an applique quilt. She taught herself the technique from an applique book. When she finished that quilt, Andrea felt she had officially “caught the quilting bug” and has been creating in fabric ever since.
Blue Anemone was awarded $1,500.00 for Best Use of Color by sponsor, Carriage Country Quilts. With her prize money, Andrea took her husband out to dinner, bought some fabric and put the rest in the bank.
Andrea hopes to continue her journey to create realistic botanical imagery with fabric, thread and paint. She says that “with each quilt I make, I try to challenge myself to hone my artistic voice.” Andrea also looks forward to teaching her techniques at quilt shows, retreat style workshops, and at local quilt guilds.
To learn more about Andrea, you can follow her on her personal and business Facebook Pages.]]>
Hiroko Miyama creates beautiful, award winning quilts from her home in Tokyo, Japan.
Linda Roy won $1,500 for Aztec Sunset from Sponsor, World of Quilt Travel
From The Bride’s Trousseau made and quilted by Margaret Solomon Gunn won $5,000 from sponsor Janome for Outstanding Traditional Quilt at Road 2017
Margaret won Best of Show for The Twisted Sister
and Outstanding Traditional Quilt for From The Bride’s Trousseau.
What inspired Margaret to make this winning design? In 2011, she designed and quilted a 40” whole cloth. This was her first attempt at the design process. Of that experience, Margaret says, “To this day, it is unbound!” The design for From the Bride’s Trousseau originated with this first quilt’s design. It underwent at least a dozen modifications to reach the final form that was quilted for the 2015 finished quilt. The current design is larger, and more complicated. From the Bride’s Trousseau is a 1/8 symmetrical whole cloth quilt, meaning that it was designed on a 22.5-degree wedge, then copied and mirrored to create the pattern. It is quilted in silk threads. Margaret’s favorite areas of the quilt are the Sashiko-inspired fills. They are quilted with a marked grid and give the quilt a very traditional feeling. Z is for Zoey won Outstanding Modern Quilt at Road to California 2017. Sponsor Riley Blake Designs awarded $5,000 to maker, Mary Kerr and quilter, Karen McTavish.
Family and quilting goes hand in hand for Mary Kerr. She grew up in a family of quilters and her latest winning quilt, Z is for Zoey, was made for her granddaughter, Zoey Rose, Mary’s “very own mini-me.”
A Road 2016 faculty member and curator of the special exhibit, Quilt As Desired, Mary has a special affection for vintage designs. She wanted this piece to reflect the convergence of the past….her love of vintage with the excitement of the future….Zoey’s place in the modern world.
Z is for Zoey was inspired by a a single long strip from the 1930s. Tongues of fabric had been hand appliquéd with black thread on both sides of a muslin strip. It was never incorporated into a quilt and at one point someone even cut out one of the fabrics to reuse. The quilt married Mary’s “love of vintage textiles with the freshness of the Modern quilt aesthetic.”
Mary thought long and hard about the design. Once she decided how to create the “Z,” the top came together in just a couple of days. Then, according to Mary, Karen McTavish “added the perfect background with her distinctive lace quilting.”
While both Karen and Mary were “very pleased” that Z for Zoey won Outstanding Modern Quilt, Mary says, “My Zoey takes full credit for the win!”
For the near future, Mary plans to continue to teach, write books and hopefully inspire others to work with vintage fabrics.
You can learn more about Mary on her website.
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