and on Saturday, 6703C Vintage Compass





4017R Charm Pack Table Runner
On Friday 5018R and Sunday 7011R, Weave that Quilt Background
And two half day classes utilizing technology:
Saturday Morning, 6017R Fractal That! Quilt Design on an iPad
Saturday Afternoon, 6018R Print That! With Photoshop Elements
Jennifer Rapacki learned to sew as a young girl, starting out sewing clothing. Eventually she got into couture techniques for the clothes she made for work as well as tailoring jackets for her husband. As the workplace became more casual, Jennifer turned to quilting as a way to continue working with fabric. Her first quilt was actually made in 1983 from a log cabin pattern kit of calico prints. She didn’t know to do the binding and no fabric was provided for it in the kit, so she turned the backing to the front (“we didn’t have YouTube back then”). Of course, today, Jennifer knows many ways to bind a quilt!!
Jennifer does most of her work in a quilt studio space she owns in Ventura, California because she and her husband live on a sail boat in Channel Island Harbor. She finds inspiration for her quilting “just about everywhere.” On a recent trip to Spain and Portugal, she was continually seeing “quilt designs” on the buildings and sidewalks. In Lisbon, she knew she was probably the only tourist continually stopping to take photos of the cobblestone sidewalks. One design is posted on her Instagram that she thought would make a great border.
A brass Stiletto is Jennifer’s favorite quilting tool. She says it’s her “3rd finger.” How did Jennifer start incorporating technology in to her quilt designs and techniques? It began in 2008 when she started playing with inkjet printing on fabric on her home printer and developed a Photoshop Elements class that she taught at the local quilt shop. It was after her quilt guild in Santa Maria asked her to speak about what she was doing with inkjet printing on fabric and Electric Quilt in 2010, that she started offering her lecture about Modern Technology for Quilters to other quilt guilds and teaching workshops.
She began using an iPad for classes she was teaching at quilt shows because she wanted to reach a broader quilting audience who didn’t necessarily want to lug around a laptop to a show. Plus, according to Jennifer, “the maturity of the iPad has brought more capability to the apps available. I am continually looking at what apps are available to see if they can be applied to quilting design.”
One of Jennifer’s best quilting tips is how she makes stitched mitered corner binding (joining binding in the corners). Originally used for her custom inkjet printed binding, it also allows for changing colors in the corners along with being great to use on small quilts where it would be difficult to join binding in the middle of a side. Quilting Arts Magazine plans to publish Jennifer’s article about this technique in the Feb/Mar 2017 issue.
What does Jennifer like most about teaching? “Learning from my students. I think I learn as much from them as they do from me. I especially like when they take the technique I’m teaching and go in a direction I hadn’t thought of.”
To learn more about Jennifer, please visit her Facebook Page.
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1201R Square Tuffet on Monday and Tuesday
Experiencing trying times in life sometimes end up being a great motivator in trying new things.
That’s exactly what happened with Pagen Lewis. Pagen’s mom and sister had always sewed, but according to Pagen, she “just didn’t get it.” About 17 years ago, when Pagen found herself going through a rough patch and had some extra time on her hands, her sister suggested that Pagen should take a quilting class. At first, Pagen “laughed” at the idea. After a lot of her sister’s pushing, Pagen finally agreed to take that class and fell, “hook, line, (and) sunk.” About six months after that, Pagen purchased her first long arm and started quilting for charity and customers.
When Pagen learned that her job that she had for 18 years in the computer industry was being moved overseas, she had six months to figure out what she was going to do next for work. As a single mother with 3 young children, she began researching how to start a business and what quilt shops were in her area. Guess what? There weren’t any!! Within that six months, Pagen opened Quilter’s Cocoon in Riverside, California and started running her own business. That was 15 years ago and Quilter’s Cocoon is still going strong.
How did Pagen get involved in making tuffets? She saw a round tuffet on-line made with Kaffe Fassett prints. She searched everywhere to purchase one. She didn’t end up finding one but she did find a place to take a class that also offered certification to teach. That was in July, 2015. Pagen actually made two tuffets before she even went to the class for training.
Pagen has taught hundreds of students how to make both round and square tuffets. She started teaching her round tuffet classes in August, 2015. She wrote the pattern and had the fusible interfacing printed for the square tuffet and began teaching that class in June, 2016.
What can you do with a tuffet? Pagen says they are perfect for “special gifts.” She says that many tuffets have been taken over by students’ family pets and that grandchildren like using them to play favorite board games.
Pagen’s favorite tuffet was one she made out of red Kaffe Fassett Colletive fabrics. Once, she made a patriotic one for her father and on the bottom, put photos of him from the Korean War and his and her mother’s wedding photo.
While there is some sewing machine work involved, Pagen’s tuffet class is part of Road 2017’s non-quilting classes that include several beadwork classes.
Pagen and Quilter’s Cocoon will also have a vendor booth at Road 2017.
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Amanda Leins is one of the teachers in Road 2017’s new industry room classes where students will be able to experience firsthand, quilting on both domestic and long arm machines. Amanda’s classes include:
Monday 1007C Refined Rulers: Using Templates With Domestic & Sit Down Machines
Tuesday 2010C Blended Quilting: Combining Ruler-work With Free Motion Quilting On A Domestic Machine
Wednesday 3012C Fundamentals of Free Motion Quilting
Thursday 4012C Improv Quilting: Creating Curves Using Straight Lines
Friday 5012C Aqueducts: Piecing Curves
How did a trained classical archaeologist like Amanda Leins become a well-known quilter?
It all began with the men in Amanda’s family. Her maternal grandfather remembered carding the batting as a 6 year old boy during the Depression, listening to the ladies gossip as he sat underneath the quilting frame. Amanda got started in quilting on a visit to her grandparents about 14 years ago. Her “fella” (now Amanda’s husband) had to work while they were visiting so she had days to sit with her grandparents and listen to her Grampa Johnny share his love for quilts and how much he admired the ones left to their family, many of which Amanda had never seen before that trip. Her Gramma Nita had an in-cabinet Singer that many family members (mom, dad, aunts and uncles) had sewn on and Amanda wanted to be part of that tradition. Amanda made her first quilt on Gramma’s Singer, cutting things out on a coffee table, and never looked back.
Amanda’s background in classical archaeology comes through with her quilting. Much of what she designs and makes is based upon the art and architecture of the ancient world. Her book shows how to take those ancient things that are timeless and still make fresh and modern designs. Amanda also appreciates how classical design principles are based upon observations of the natural world. She is thrilled to know that she is carrying on a grand tradition of working with her hands to make beautiful and functional things. She believes that “this creative act is something that is an integral part of what it is to be human.”
Amanda has traveled all over the United States to take and teach quilting classes. Her two favorite classes that she has taken have been a practical class taught by Kimmy Brunner on trapunto and a class taught by Karen McTavish. While Amanda has yet to make a trapunto quilt, what she learned has helped with some tricky quilts that Amanda says “were less than perfect and had some extra fabric in some places and not in others.” Regarding her class with Karen McTavish, Amanda says she likes how Karen “approaches quilting design and finds her artistic process so very interesting.”
What is Amanda’s favorite quilting tools? For piecing, she cannot “live without” her glue basting and starch. For quilting, she adores working with rulers and templates, and is “wildly in love” with her BERNINA Q24 longarm which she says is “so fun to use.”
Amanda’s best quilting tip is to relax and smile. She shares, “If your shoulders are down and you’re actually smiling a real (smile) and not gritting your teeth, you get less stress headaches and your quilting designs will be more fluid. If you find yourself tensing up, get up, walk around, shake out your muscles, and smile! Your body and your quilting will be grateful!
[caption id="attachment_4465" align="aligncenter" width="839"]
Quilt designed by Janet McWorkman and quilted by Amanda Leins for Janet’s book, “The ABCs of Quilting “(C&T)[/caption]
Amanda got into quilting because “it brings me delight and being able to share that is, well, delightful! Whether that’s providing a solid knowledge base, my tips and tricks, or sharing my love of the whole process, I want each student to come out of that class thinking ‘that was worth it. I can do this!’” You can expect Amanda to try and give as much information and time to practice in class as she can so that each student has what he or she needs to be successful and delighted in their work when they get home, not just those first few days, but as they continue to grow in their quilting abilities.
To learn more about Amanda, please visit her website.]]>
Sew Kind of Wonderful and their Quick Curve Ruler—Helen Robinson, Jenny Pedigo and Sherilyn Mortensen.
Wednesday Evening: 3064C Mini Kites
Friday Evening: 5070C Mod Pineapples
Handi Quilter Sweet Sixteen sit down longarm class. These classes use the same skills as a regular sewing machine.
1004C The HQ Sweet 16 Overture on Monday
2007C Rhythm and Hues on Tuesday
David will also be teaching two applique classes:
3009R Simple Floral Appliqué on Wednesday
4601R Animal Artistry through Appliqué a 3-day course, Thursday-Saturday
Award winning quilter, David Taylor, knows about adversity. Last February, a gas explosion and subsequent fire destroyed his home in Steamboat Springs, Colorado. Since the fire gutted the living room and the sewing loft, David has been without his tools and supplies for the past nine months. Both of his Berninas were melted; his serger was gone; rulers were twisted and turned and his Handi Quilter Sweet Sixteen was a major loss. Needless to say, it was a very devastating experience. David says, “Every day since the fire, life gets a little easier and a little harder at the same time. I’ve been taking long walks, reading and doing jigsaw puzzles to occupy my thoughts” until he can start to rebuild his studio.
Born in 1963, David was raised in Peterborough, New Hampshire, one of six children: three boys and three girls just “like the Brady Bunch.” His mother “tied” quilts while David was growing up but as a single mom with six kids, she didn’t have much free time to devote to quilting. David first focused on apparel construction. In 1998, a longtime friend who knew of David’s life-long love of fabric, suggested he try quilting. He was reluctant at first as he didn’t want to cut up his “precious fabric collection.” Since then, he has never looked back. Because he has never taken a quilting class, David believes that the best way to learn is to practice, practice, practice, practice, practice, practice and makes a lot of mistakes. In addition, he believes that quilting “should be a team sport,” He recommends joining a guild or a group and getting together with like-minded “fabric fondlers.” And if there isn’t a group where you live, David says, “Start one.” For David, there is no greater satisfaction than “seeing a student’s face light up when they realize they CAN do this!” He hopes his students will learn that if they create from their heart, the rest will follow.
Before he comes to Road, David will be looking forward to purchasing a home in Henniker, New Hampshire. The house was originally built in 1825, and was renovated at the turn of this century to include a two-car garage with studio and office space above. David says it is “Perfect!” To learn more about David Taylor, please visit his website.
Claudia Pfeil will be teaching six, hands on, stand up longarm classes that allow for two students per machine head:
Pimp My Quilt! on Monday 1012N and Saturday 6015NPaisley Parade on Tuesday 2017N
Bubbles, Curves & Straight Lines – A Way to Modern Quilting on Wednesday 3016N
Claudia’s (P)fantastic (P)freemotion Borders on Thursday 4015N
And on Friday 5016N Modern (P)freemotion Wholecloth
Anita Grossman Solomon will be teaching six classes, Wednesday through Sunday, at Road to California 2017:
Wednesday 3005C and Sunday 7004C: Self-Mitered Log Cabin
Thursday: 4004C Two-Color Pineapple
Saturday (Half-day Morning Class): 6004C BeJeweled
Saturday (Half-day Afternoon Class): 6012C Double Wrench
[caption id="attachment_4391" align="aligncenter" width="345"]New York native, Anita Grossman Solomon, grew up in Niagara Falls, New York. She learned to sew garments at the Singer Sewing Center on Falls Street where she “aced” her first dart on a treadle sewing machine!! After graduating from college as an art major, Anita immediately moved to Manhattan where she lives today. Her office and sewing room/studio are both within her apartment. Anita says when she needs to venture outside, she turns “on the Today show to see what the bystanders are wearing” to know how to dress for the day,
Rose Mary Jameson will be teaching 4018R Laguna Crochet Necklace on Thursday
5019R Bead Embroidered Needle Case on Friday
6019R Beaded Felted Cuff on Saturday
And 7012R Infinity Button Bracelet on Sunday
Sharon Miller will be teaching on Friday, 5067C Espadrilles and on Saturday, 6063C Espadrilles